The challenge in this étude is real: to bring out 2 distinct voices–at the same time.

Bach’s violin partitas are notoriously difficult for many reasons, but the “implied counterpoint” makes them particularly challenging and beautiful.  In this trumpet étude I borrowed this concept from JS Bach, and downright stole the notes from his Well Tempered Clavier.

I hope you enjoy playing this beautiful piece of music as I do.  Your musicianship and trumpet playing skills will certainly benefit from working on it!


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